PUGLIA, BARI AND ROME
Hungry in Italy
26.09.2006 -17 °C
PUGLIA
[i]Pugliese food, more than any other region in Italy, would probably be described as the most Italian. If it were possible to say such a thing. Pugliese food represents the essence of modern thought behind Italian food – take a single ingredient and try to capture it unique character, and bring it to the fore. You may eat the best meal of your life in Puglia.
Puglia’s most famous pasta is the sublime "orecchiette," the “little ear” shaped pasta often still made by hand and served with cime di rapa, bitter turnip tops tossed with anchovies. In fact, most of the pasta, including cavatelli, a flatter version of orecchiette, are served with vegetable-based sauces. Often, however, they are laced with a touch of something else, such as spiced lard, some stock, or even a meatball or two.
The pane, bread, of Puglia is legendary, and some of the best bakers in Roma and Milano are of Puglian descent. By far, the best pane is cooked in a wood fire. You may also come across taralli, which can be like tiny circular pretzels or as big as a doughnut. They can be crispy or just crusty, but they always have a hole in the middle.
World Food Italy, Lonely Plant Books, 2000
After dinner, I took the train back to Naples. Early the next morning, I checked out of my hotel, collected the car from its spot deep in the bowels of the hotel’s garage and got the hell out of Naples. I headed toward a town in Puglia called Foggia. There is not much to Foggia, but I did stop in a restaurant that was a self-service hot plate kind of place and had the most amazingly delicious lunch. I selected roasted red peppers that had been stuffed with breadcrumbs fried in olive oil and garlic, a ball of that amazing mozzarella bufala and a salad of tomatoes with basil, olive oil and pepper. What a light but really delicious lunch.
My knee is really starting to hurt from all this walking, so I didn’t explore Foggia much. Instead, I stashed the car in a secure parking lot and got on the train to head down to Bari on the Adriatic coast.
Bari is deep into what is known as Greek Italy. I read up on some history of this part of Italy on the train. It seems that Greek settlers colonized the at least part of Puglia during the centuries before Rome swallowed everyone else in the region. I had come to Italy expecting to find Roman ruins on every street corner but that simply isn't true. Although Roman power eventually extended all over peninsular Italy, its presence was often very lightly felt in some places. You can tell this in part from the absence of Roman names for the cities.
Puglia is one of Italy’s breadbaskets. It is a land with very rich soil and every inch of it is cultivated. Olive trees even grew in places on the sides of the railroad tracks, and every home seemed to have an olive tree and some grape vines in the back yard.
Being on the seacoast, Bari is famed for its seafood and the dinner I had there proved it. I ordered zuppa di pesce, expecting a replay of the dish I had eaten in Pescara but it was nothing of the sort. The entire dish, which was served in this huge platter, consisted of muscles and tiny clams that we would call cherrystones. The other ingredients were garlic chopped into very small pieces, fish stock, white wine, olive oil and parsley.
It was amazingly good and it had so few ingredients. It looked huge when they brought it that I said to the waiter, this is for one person (questa e per solo uno?). He laughed and said yes. Oh, I forgot the last ingredient, squares of bread that were brushed with extra virgin olive oil, then grilled and placed in the stock. It really wasn't that much to eat. Both the clams and the mussels were very tiny. For the main course I had grilled lamb chops that came with a wedge of lemon. It was amazing how the lemon changed the flavor.
I wandered back to the hotel and caught the train the next morning back to Foggia, then drove to Caserta, which is between Naples and Rome. My plan to drive to the tiny village of Colle Felice, which is where my mother's parents were from. It was raining pretty heavily and as I headed into the mountains the rain got heavier and the cloud cover got lower. About halfway there I was driving so slow the car was in third gear because visibility was so low and I was crawling. It was a non -starter so I turned off, had lunch in a little place and headed back.
The restaurant was very nicely done up, with fancy lighting and waiters in black vests and bow ties and a maitre d' dressed in a white tux. I thought oh boy, this is going to put a crimp in the budget. But the menu was very reasonably priced and the place was packed with local families out for Sunday lunch. I had only the pasta course, which was spaghetti tossed with crushed tomatoes, and olive oil, shrimp and cremini mushrooms and tiny slices of pancetta, Italian bacon. The dish was called spaghetti alla mare e monti, spaghetti from the sea and the mountain. This was only the second time a dish came with pieces of garlic in it. In most of the north of the county, the garlic is removed before dishes are served. As Mario Batalli always says, Italians like the flavor and smell of garlic in their food but they don't necessarily want to eat pieces of it. Well, seems they do in Campania. Tomorrow, I light out for Rome and turn in the car.
The next day, I awoke early, skipped breakfast and headed for Rome. My first stop was the Fiumincino Airport. Europcar had given me the choice of turning in the car at a city location or at the airport, some 30 miles from Rome proper. Thinking that that an airport would be far easier to find than a street address in the city, I chose the airport. Stupid. Really stupid.
The airport is not only far from Rome, it’s bloody difficult to find, given that it hosts international airline flights. There were no end of airplanes to be seen, wheels down, approaching the area where the field was purported to be located. In addition, cars streamed toward the place that signs, in Italian, of course, indicated an airport could be found. Coulda fooled me.
I got onto a ring road around the airport, and searched for the sign that would tell me where to turn in the car. And kept searching. Ring roads, as the name implies, go in circles. As did I. Endlessly. I could not find the car rental return area. I wound up driving clear off the airport grounds and onto a narrow road that ran through the bowels of an industrial area that looked like something out of a post nuclear holocaust movie. It was the first time in Italy that I saw a large collection of semi-trucks all in one place. That place was behind all those trucks on a very narrow, two-lane road. It was unusually straight and ran on for miles. When I finally got back to the highway, the only on ramp was heading in the wrong direction. I got on the road and turned around at the next off ramp. Then, I promptly got lost again and spent another half hour finding the highway again.
At that point I decided just to start all over again. I drove north until I found the exit for Fiumincino, then retraced my path. This time, I pulled over at a taxi stand and offered to pay the first driver I found who spoke English to lead me to the car rental return. He complied gladly. It was the best 10 Euros I spent on my trip.
Once at Eurocar, I had some paper work formalities to attend to. In a bout of hand-to-hand combat with a very narrow parking garage I had left a number of dings and scratches in the car. I had also knocked a strip of plastic off the passenger side door. That strip spent the rest of the trip in the car’s trunk. Now, I had to fess up to the rental clerk about the damage. In a rare burst of foresight, I had signed up for lots of extra insurance when I rented, and the damage caused nothing more than some temporary embarrassment.
My next trip was via train into downtown Rome. My hotel was supposedly right around the corner from Rome’s main train station. “Right around the corner” is a flexible concept when one is lugging four pieces of baggage. It actually took me only 10 minutes to find the hotel but it was raining and I was soaked thoroughly when I dragged myself through the hotel’s front door.
I had anticipated that the closer I got to Rome, the more expensive and skimpier the third-class hotel accommodations would be. Nothing I saw from the front lobby of the hotel led me to revise that idea. In fact, the place didn’t even have a real front lobby, just a street level entry foyer, and the elevator didn’t even come down to that level. Just to register, I had to drag my bags up two flights of stairs, cram them into what I had by now learned to anticipate would be a tiny elevator and go up two floors to the check-in desk.
There I was met by an urbane looking gentleman of indeterminate age who formally welcomed me to Rome and to the hotel and asked me for my passport. I fished it out of one of my bags and turned it over. He handed me the key and I struggled with my bags back to the shoebox of an elevator. Not once during my stay in Italy did any hotel staff offer to help me with my bags, and this character was no exception. The elevator stopped one floor below mine, so I had to drag the bags up another floor, unlock a door and go down a corridor to my room.
I anticipated that my room in a three-star hotel in Rome would be small, but this one was a new adventure in small. The bed was a narrow strip along one wall, the bathroom, tinier than most people’s closets, was across from it. Beneath a window between the two extremes was a small desk with a lamp and a copy of the Rome telephone directory and a bible. Nice touch.
Room was admittedly immaculate, but some “thoughtful” staffer had, of course, opened windows in the room and in the bathroom. So, I began my stay with my by now familiar mosquito hunting ritual. In perhaps the sole example of good pre-planning for the trip, I had packed some of my own towels, a useful precaution as it turned out, since Italian hotels stock towels the size of dishtowels in the U.S. I fetched one of mine and began slapping at mosquitoes lurking in corners near the ceilings in the room. That done, I took a quick shower, changed clothes, and headed out to explore some of Rome.
If one is a Roman Catholic, devout or otherwise, one’s first stop in Rome is going to be Vatican City. Why fight it, I thought. The hotel clerk turned out to be far more helpful with directions than he had with luggage. In response to my question about how to get to Vatican City on foot, he produced a map and drew in a route in red ink.
Thus armed, I walked down four flights of stairs – that damned elevator made me claustrophobic – made a right turn out of the hotel door and headed for the seat of Catholicism in the world. It was a longish walk and the day was warm, so I stopped a couple of times to buy drinks and once at a small bar to buy a snack. The bar served a variety of sandwiches, all of them toasted. The Italians seem to toast everything that can be placed between two slices of bread. In fact, one variety of isandwiches is called “toast.” It isn’t the sort of toast that those of us in most of the English-speaking world call toast, two slices of toasted, buttered bread. It is a small, thin sandwich made with wide, thin slices of bread. Fillings typically consist of a few slices of prosciutto, a bit of lettuce and some tomato. I never saw any food in Italy served with mayonnaise.
The bread is brushed lightly with olive oil and placed on a machine that toasts both sides at once, hence the name. Calling the sandwich “toast,” seems to be part of the mania in the Italian commercial world for assigning English names to things.
Another common sandwich type sold in bars was the “pannini,” which in fact is the Italian word for sandwich. Pannini were the closest things to what we in the U.S. call heroes, submarine sandwiches or grinders, depending on what part of the country we eat them in. The Italian version was much smaller, with far less filling than is common in our sandwiches of that type. My pannini that day held only three ingredients, prosciutto, thin slices of – what else? – Roma tomato, and a thin slice of creamy cheese that melted beautifully in the toasting machine.
The sandwich came in a little envelope of waxed paper, the better to keep my fingers clean as I ate it – nice touch that. I had an espresso with my sandwich and thought once again that the only culinary disappointment on my trip had been Italian coffee.
Not that there is anything wrong with espresso but it comes in a tiny serving that is – barely – a mouthful. The quality of espresso varied greatly from one region to another. Sometimes it was delicate and delicious. Other times it came across like a mouthful of caffeinated mud. And cappuchino was a stunt, a slightly larger mouthful that consisted mostly of air and milk foam. In grudging deference to American tourists, many Italian hotels and restaurants served something called “café Americano,” which tasted to me like nothing more than strong espresso brew diluted with hot water. Rarely was I ever served either cappuccino or espresso that was really hot. Long before the trip ended I yearned for a tall cup of Seven – 11 or Starbucks coffee served hot enough to generate a lawsuit.
Lunch having been disposed of, I walked the five blocks to the central bus station and took a bus to Vatican City. My first view of St. Peter’s was both awe inspiring and a bit disappointing. Television makes every place look bigger than it really is. St. Peter’s was no exception. Seeing it up close and recalling the many TV images of people crammed into it for Vatican special events I realized those people must have smelled each other even in the open air. St. Peter’s Basilica lies at the back of the Vatican piazza, an open area laid out in a sort of semi-circle. Behind it, the Basilica’s many statues of saints and Vatican dignitaries from the past makes an impressive back drop. There was only one entrance open into St. Peter’s and there was a long line of tourists waiting for their chance to view the inside. I hate waiting in lines, so I began circling around the area, looking to hookup with a guided tour.
Groups of people clustered around guides, many of whom sported microphones that broadcast their patter to the members of their groups. Stupidly, I had neglected to look into hooking up with a tour guide back at the hotel, so now I was reduced to trying to find a group just starting out. The guides identified themselves to their flocks by tying bits of colored cloth or ribbons to their umbrellas and holding them aloft. At times, the area was filled with people trailing along behind men and women holding aloft these decorated umbrellas.
It was possible, of course, for tourists to get into the Vatican through the public entrances without being part of a guided tour, but the lines of these unfortunates were enormously long. A few discrete questions revealed that the unofficial estimate of wait time on these lines was up to six hours, and as it was already past noon and the Vatican’s doors closed at 4 p.m., this seemed like a losing option.
I was hanging around somewhat despondently near a small café on a side street when I saw a youngish woman, umbrella on high with colored cloth waving from its tip, leading a group of people inside. Intrigued, I followed. Jennifer, as I learned she was named, was signing up people for a group tour of the Vatican. The café was sort of her central recruiting station. I had learned to doubt the ability of Italians to identify Americans on sight but I knew immediately that these people were from the U.S. I tagged along into the café just as Jennifer began her spiel. Her tour was three hours long and cost 25 Euros. As I had no other options, I ponied up my money and got a little brochure that described the tour.
Jennifer spoke fluent Italian but with such a pronounced American accent that even I could hear it. She collected our money while simultaneously addressing the guy behind the counter as “carrissimo,” and ordering an espresso. She might have an American accent, but she could schmooze in Italian with the best of them. Without missing a beat, she switched back to English, telling everyone to gather round while she did a quick head count of her chicks. A few of the tour group were quite elderly and Jennifer told them to speak up if she walked too fast for them. She pointed to the colored cloth on the tip of her umbrella and told us to look for it if we lost sight of her. I figured if she walked as fast as she talked, we were in for the full aerobic tour of the Vatican. As it turned out, she did.
After gulping her coffee, she ran down the rules. Talking in the Vatican should be done sotto voce and was disallowed completely in the Cistine Chapel. Similarly, photograps are also disallowed in the Cistine Chapel. This news produced a few protests, but Jennifer pointed out that it was a Vatican rule and not subject to dispute or negotiation. This bit of genius, she explained later, followed a decision by Vatican officials to accept a donation from the largest Japanese photo agency, the money to be spent on restoration. In return, the Japanese agency had been given exclusive rights to photos from the Cistine Chapel. Nice deal, if you’re an art piece in need of restoration but not so hot if you are a tourist in the Cistine Chapel for perhaps the first and last time in your life. That bit of wisdom imparted, Jennifer took off for an entrance to the Vatican reserved for tour guides, her ducklings hobbling along behind her.
We left the café, turned right then left, and walked the length of an enormous line of people awaiting entry through a public gate. We collecting a few venomous looks as we cruised past the line and entered the Vatican behind an American lady with an umbrella held over her head. Once inside, Jennifer gathered us around her and laid out the plan for touring the Vatican.
Since talking has been outlawed in the Cistine Chapel, Jennifer took us to a courtyard somewhere on the Vatican grounds and gave us a sort of pre-lecture on what we would see in the Chapel. The courtyard was crowded with other tourists and guides, all getting the same rundown in various languages, including one group hearing it in Japanese. I wondered how some of the terms translated into that language. The Japanese-speaking tourists were all listening to what she said with rapt attention, some nodding in agreement with some points their guide made, so they must have been getting something out of it.
Jennifer led us to a group of panels lined up against a wall. These were perfect representations of the Cistine Chapel ceiling. Using a pointer, she began to lead us through some of the information that Michaelangelo had put into his paintings nearly 500 years ago.
Michaelangelo, Jennifer informed us, painted the Cistine Chapel ceiling during two distinct periods in his life. The first he did as a young painter in his 30s; the second he produced in his mid-60s. The differences in technique and representation, she told us, could be seen in how he painted and the way Michaelangelo laid out his narrative.
For the benefit of those who’ve never seen the chapel ceiling, Michaelangelo painted on its surface the story of creation. The “panels” show a curious evolution, beginning as smaller and crammed more tightly together, and becoming larger and spaced more widely, a product our guide told of us of the artist trying to finish the job before the Pope of the time, Clement VI, got totally fed up with the time and expense the job was requiring.
Michaelangelo was a Tuscan, so he was a bit of an outsider at the court of the Vatican, and he had enemies who resented his talents, not to mention his having gotten the job, and who sniped at him constantly, criticizing his work and whispering poison about him in the Pope’s ear. But he got even in his artistic way by using the faces and bodies of some of his more strident opponents in his depiction of the condemned souls being cast into hell. One critic, a rather prominent thinker of his day, he portrayed in a panel as a donkey, complete with donkey ears and hooves, as God consigns him to the outer darkness. Once our history lesson was complete, Jennifer led her charges inside the Vatican itself.
We walked through a door and went down a long, rather narrow corridor, lined on both sides with gorgeous tapestries. The ceiling of this corridor was also painted with various biblical and religious themes, painted by artists less luminous than Michaelangelo, but still magnificently done. Photos were allowed here, but no flash attachments were permitted, apparently out of fear that thousands of flash exposure would cause the colors of the tapestries to fade.
The corridor led to a door, through which dignitaries awaiting a papal audience would pass. The overall effect was awe inspiring, as it was no doubt intended to be. The Pope, especially in the Middle Ages, when much of this art was produced, was truly a Prince of the Church, and protocol required that visitors pass through levels of increasing opulence until they arrived in the august presence. Or anyway that’s how Jennifer explained it.
She led us to another part of the Vatican, where were displayed the large collection of statuary dating back to Roman times. Our guide took great delight in explaining to use why the male statues were missing certain anatomical parts. Pope Pius the VIII apparently took exception to this “pagan” art that displayed women and especially men in their natural state, that is, nude. Incensed by the presence of all this marble genitalia in the Vatican, he ordered the men to be shorn of their parts, in the name of decency.
When we arrived in the Cistine Chapel, it was mobbed with tourists. Despite the ban on talking, their was a steady buzz of conversation that never died out entirely, despite the efforts of the Vatican guards who circulated among the crowd, intoning, “No talking, no photos.” A few people tried to sneak some shots of the Chapel ceiling or the altar. Caught by the guards, they were hustled out of the Chapel and their cameras confiscated.
I sat on the Chapel floor and gazed at the ceiling for nearly an hour. Every once in a while, when the guards were distracted, I used the zoom feature of my digital camera to get a close-up view.
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